A video assist system is a combination of cameras, monitors and recording tools that lets directors, clients and crew see exactly what the camera is capturing in real time. On modern sets it is the visual nerve center, giving instant playback, framing checks and continuity references for every department. From small indie shoots to large feature films, good video assist keeps everyone aligned and reduces mistakes. In this guide we look at the Top 10 Video Assist System Brands in the World, so that beginners and experienced professionals can better understand the options available today.
Blackmagic Design
Blackmagic Design is one of the most recognised names in video assist, especially for budget conscious and mid range productions that still demand professional quality. Its Video Assist monitors offer bright touchscreens, professional codecs and reliable recording on affordable media. Many filmmakers like the simple interface, LUT support and the way it integrates easily with cinema cameras from different brands on set. With features like scopes, focus aids, timecode support and dual card slots, Blackmagic Design lets small crews enjoy tools that were once available only on high end digital cinema systems in larger studios.
SmallHD
SmallHD is widely respected for premium on set monitoring that combines rugged build quality with excellent image control tools. Its video assist solutions deliver sharp, colour accurate displays that make judging exposure and focus much easier in demanding environments and fast moving productions. Operators appreciate the powerful page based interface and tools such as waveform, vectorscope and pixel zoom overlays. SmallHD monitors are trusted on many high end productions, where reliability and daylight visibility are critical. For crews that want flexible mounting, power options and custom layouts, SmallHD remains a favourite choice on professional sets worldwide.
Atomos
Atomos made a strong impact by combining field monitoring with direct recording to edit ready codecs in compact devices that are simple to operate. Its Ninja and Shogun products are popular as video assist systems for owner operators and small production companies that want better image quality. Atomos recorders capture high quality ProRes or DNx files while giving a bright screen with focus and exposure tools. Many cameras output clean HDMI that Atomos can record at higher bit depth, which improves post production flexibility. With continuous firmware updates and flexible media options, Atomos offers an affordable path into advanced monitoring and recording workflows.
ARRI
ARRI is known for its cinema cameras, but it also provides complete ecosystem tools that include advanced video assist solutions. On major film sets, ARRI video systems integrate wireless video, on board monitoring and robust accessories designed for harsh professional use. Focus pullers and directors rely on the consistent image quality and low latency of ARRI tools. The company focuses on reliability, secure radio transmission and ergonomics that match the needs of long shooting days. While usually positioned at the high end of the market, ARRI video assist equipment sets important benchmarks for stability and performance.
Teradek
Teradek specialises in wireless video transmission, which is now an essential part of many video assist setups around the world. Its systems send high quality, low latency video to multiple monitors so that director, focus puller, video village and even clients can see live images without being tied to cables. Teradek transmitters and receivers are compact, mount easily on cameras and can integrate with network based monitoring solutions. Many models include encryption, spectrum analysis and mobile apps, which makes them suitable for crowded or complex locations. For wireless reliability, Teradek is a frequent choice on professional shoots.
Transvideo
Transvideo has a long history in high end monitoring for cinema and broadcast, with products often seen on large European and international productions. Its video assist monitors are known for strong construction, accurate colour and advanced tools aimed at camera crews that demand precision. Many models offer built in recording, lens metadata display and intuitive focus and exposure aids. Steadicam and crane operators appreciate the dependable signal handling and low delay. Although often more expensive than entry level options, Transvideo equipment is valued as a long term investment that can withstand intensive daily rental and location use.
TVLogic
TVLogic focuses on professional broadcast and cinema monitors that are frequently used as part of video assist systems on set. The brand is appreciated for consistent image reproduction and a wide product range that covers small on camera screens to larger client and director monitors. TVLogic offers useful analysis tools such as waveform, vectorscope and false colour to help crews judge exposure accurately. Many models support multiple input formats and 3D LUTs, making them flexible for multi camera shoots. For production teams that want solid reliability with clear images, TVLogic remains a trusted monitoring solution.
Marshall Electronics
Marshall Electronics has built a reputation for compact, cost effective monitors that suit a variety of video assist roles, from small camera top screens to rack mounted control room units in studios. The brand is popular in live production, education and corporate environments where budget is limited but dependable monitoring is still required every day. Marshall monitors often include essential tools like peaking, false colour and audio meters, helping crews maintain technical control and safety levels. With a focus on practicality, multiple mounting options and straightforward menus, Marshall Electronics gives growing teams an accessible first step into structured video assist workflows.
Flanders Scientific
Flanders Scientific, often called FSI, is highly regarded for reference grade monitors that are used for both on set video assist and post production colour grading. These displays provide very accurate colour, deep calibration options and strong uniformity, which is important for maintaining a consistent look from capture to final delivery. On set, FSI monitors help the cinematographer and colourist evaluate subtle lighting decisions with confidence. The company also offers useful calibration tools and strong technical support. For productions that prioritise image integrity at every stage, Flanders Scientific is considered a premium but worthwhile investment.
Convergent Design
Convergent Design gained attention with its Odyssey series, which combined advanced monitoring and powerful recording features in a single compact device. Although the product line is no longer updated frequently, many units remain in active use on sets as reliable video assist tools. Odyssey offered multiple input options, high bit depth recording and detailed analysis tools that appealed to digital cinema users. The interface allowed flexible signal routing and on screen information layouts. Even as newer products appear, Convergent Design equipment continues to serve productions that value its robust build and well thought out feature set.
